About TadveeKaar
TadveenKaar was founded with a simple belief: post-production is not a service — it is storytelling.
Built by editors and filmmakers, TadveenKaar operates at the intersection of creative vision and technical execution. We work closely with directors, producers, and agencies to shape narratives from the edit room to final delivery, maintaining creative intent at every stage.
Our studio handles complete post-production pipelines — from offline edit and sound workflows to color coordination, VFX supervision, and final mastering — allowing creators to focus on the story while we manage the process.
Over the years, TadveenKaar has contributed to internationally acclaimed feature films, award-winning short films, web series, television drama, documentaries, and branded content, collaborating with broadcasters, cultural institutions, and independent filmmakers alike.
Behind TadveenKaar
Nadeem Abbas is an award-winning editor and post-production professional from Lahore, Pakistan, and the Founder of TadveenKaar. With over a decade of experience across feature films, television drama, web series, and documentary cinema, he has contributed as an editor, head of post-production, and post-production supervisor on nationally and internationally recognized projects. His work has been recognized with the Pakistan Academy Award for Best Editing (2013) and Best Editing at the Gandhara Independent Film Festival (2024) for the short film Separation.
Lali (2026) — Head of Post-Production & Co-Editor
Hanging by a Wire (2026) — Additional Editorial
Don’t Be Late Myra (2025) — Editor & Co-Producer
Roshan Raahein (2024) — Editor / Head of Post-Production
Jagg (2019) — Editor & Executive Producer
Joyland (2022) — Post-Production Supervisor
Kamli (2022) — Editor / Head of Post-Production
Zindagi Tamasha (Circus of Life) (2019) — Editor / Head of Post-Production
His broader body of work also includes WOW Virtual Pakistan Festival (2022, British Council), Phaatak (2022) — Post-Production Supervisor, Khoj (2022) — Post-Production Supervisor, Manzil (2022, U.S. Embassy Islamabad), Watan Ki Mati Gava Rehna (Armed with Passion) (2021, ISPR), Yaar Julahay (2021), Pippi Ki Kahani (The Stories of Pippi) (2021), Gidh (2021), Mushk (2020), Jhaanjar Di Paanwaan Chhankaar (2019), Parlour Wali Larki (2019), Saadat Hasan Manto (2017), Mor Mahal (2015–2017), Ladon Mein Pali (2014), Dur-e-Shehwar (2013), Love, Life Aur Lahore (2010–2013), and Chunneri (2009).
He is currently associated with the web series Khatarnaak (2025), directed by Arslan Idrees, a co-venture between Ai Films and TadveenKaar.
What We Do
TadveenKaar provides end-to-end post-production services for films, web series, television, documentaries, and branded content — combining creative editorial judgment with technically robust, delivery-ready workflows.
VIDEO EDITING
Story-driven editing for films, series, documentaries, and branded content — from rough cut to picture lock, with narrative clarity and pacing precision.
MOTION GRAPHICS
2D and 3D motion graphics for titles, explainers, intros, and visual storytelling that elevate engagement and clarity.
ADR / VOICE OVERS
Professional ADR and voice-over recording with experienced male and female artists across multiple languages.
COLOR GRADING
Professional color grading that enhances mood, continuity, and visual tone while staying true to the creative vision of your project.
SUBTITLES / SRT
Accurate transcription and subtitle creation in multiple languages, ensuring accessibility and platform-ready delivery.
BACKGROUND SCORING
Original background scores composed to support emotion, rhythm, and narrative impact across film and digital content.
GRAPHIC DESIGN
Purpose-led graphic design for branding, promotions, and screen content — clear, impactful visuals that communicate effectively.
DIGITAL CINEMA PACKAGE
Theatrical-ready DCP and KDM generation, formatted to international cinema standards for festival and theatrical release.
AUDIO MIXING AND MASTERING
High-quality audio mixing and mastering for clean, balanced, and immersive sound — ready for broadcast, OTT, and cinema.
